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In an age where we interact primarily with branded and marketed web content, Cameron’s World is a tribute to the lost days of unrefined self-expression on the Internet.
This project recalls the visual aesthetics from an era when it was expected that personal spaces would always be under construction.
Whether telling the story of an A student straying from her expected path, a drummer whose dreams outstrip his talent, a kid addressing his parents’ foundering marriage through ventriloquism, or a geek who gets the girl of his dreams only to learn she bores him, the show—unusual for a network series—always preferred emotional truth to rosy outcomes, character to type, and the complicated laugh to the easy one.
Created as veiled autobiography by Paul Feig and developed with executive producer Judd Apatow and supervising director Jake Kasdan, the series gathered a cult following during its on-again, off-again, abbreviated original broadcast.
Both on-screen and behind the scenes, the story of is one of community beating against the odds and growing stronger for it.
An hour-long comedy with drama at its core (a “dramedy,” to use the then current term of art), the series centered on a sister and brother, 16-year-old Lindsay Weir and 14-year-old Sam, and, widening its frame, the outsider crowds in which the Weirs run—the older freaks for Lindsay, the younger geeks for Sam—as everyone copes with the sad, hilarious unfairness of life.
After a short hiatus from the world of online dating (because it sucks, you guys), I'm back with more tales of hilarity. There is no point in lying on your profile about things that are obvious within five minutes of meeting you in person. Why contact me and bother discussing meeting up and dating if you live two thousand miles away? It's a tad creepy when we've exchanged three messages, tops, and you're calling me "baby" and talking about moving to my area because "nothing's keeping me here anyway".